I’m slowly adding to the designs & prints available on my print on demand store, getting a selection of monster prints up along with all the other goodies. Hit the button below to have a browse if you’re interested (the print selection will grow over the next couple of weeks) - cheers.

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Meet Papa Rhubarb. According to legend, he was a wandering medicine man who traveled the world helping to rid people of their insecurities and emotional troubles. When placed in a home or business, a sculpture of Papa Rhubarb will act like a “spiritual and emotional air purifier” (a little like a Himalayan Salt Lamp). He is said to feed on insecurities, anxieties, negativity and converts them into good vibes.

My contribution for the CEX Art Auction this year, raising much needed funds for Youngcare. The ol’ bowling pin can be an unruly canvas but it is such a fun project and a very worthy cause. Check out some of the other phenomenal pieces available here and you can follow along for updates on the CEX Instagram here.

My piece from last year “The Icon Of St Rike” below:



Super stoked to have our opening titles in the Stash permanent collection - check out the preview of STASH 136 below to see some of the awesome work included & check out the permanent collection here to scope out some of the behind the scenes content & an interview with myself & my co-director Ricky Marks.

(Also, if you haven’t seen the sequence itself yet you can check it out here).


A few years back I got into the habit of carying a small business card holder full of random eyes and facial features drawn on card around with me… A bit of blu-tack and some imagination led to the discovery of some amusing characters.

I find it fascinating, that with such minimal effort you can imbue so much character and personality into inanimate objects… Put some eyes on it and just about anything can become a puppet.


I used to love scribbling on magazines and newspapers, giving celebrities and politicians tattoos, black eyes and so on… great fun.

Recently I was midway through one of my regular “I’m going to give minimalism a shot” purges of superfluous junk in my studio and when faced with turfing a pile of old magazines I had the inspiration to revisit the idea and see if I could take it a little further.

So I hacked out a few beautiful people from full some page ads and proceeded to administer a full ink and gouache makeover to a stack of them.

Some time-lapse videos of the results below:

Perhaps unsurprisingly it’s still a whole lot of fun… so much so that I’ll probably keep it as a semi-regular warm up routine.

TIP: Breaking In A New Sketchbook.

OK, this is kind of an old one - but it makes a good point. So I thought I’d re-post it now that I’ve made a commitment to myself to revitalize and make better use of this website/blog. A short video about my personal method for avoiding “Fear Of The Blank Page” syndrome when starting a new sketchbook.

It doesn’t always go down exactly like this… sometimes I’ll try and do a blind-folded portrait of Jeff Goldblum on a random page or just kick it around the backyard for a bit. The point is to deliberately “ruin” the pristine nature of a new book right from day one. Then you can get on with the important stuff.

I should say that this usually applies for “real” sketchbooks (i.e. ones that are intended to be used for sketches - not finished art). I have several “nice” sketchbooks that I do slightly more polished gouache and watercolour paintings in & I generally take better care of those (they often still end up with their covers scribbled on).

Another good tip is to go for a cheaper book if you’re intending to use it for play/learning sketching. These days cheap doesn’t have to equate to overall bad quality. I picked up a great, hardcover sketchbook with fairly decent paper for $6 at my local discount shop because I wanted to start doing more fast and dirty plein air watercolour sketches. If I take a better quality book with me I’m too tempted to spend extra time laboring over details, the cheap one is great.

But more about that in another post. The important thing to remember is that a beat up sketchbook that’s full is far more valuable than a pristine one that is empty.

Don’t be precious, just draw more.